Some of the characters in these stories contend with hardships; some discover unique gifts; all are united by their ultimate deference to the ravishing universe outside themselves. In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness.
Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play. In these stories, Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know. In the hands of master storyteller Everett, the act of questioning leads to vistas more strange and unsettling than could ever have been expected. In July of , in Hardin County, Ohio, a boy sees ghosts. A teenage runaway and her mute brother seek salvation in houses, buses, the backseats of cars.
Preteen girls dial up the ghosts of fat girls. A crew of bomber pilots addresses the ash of villagers below.
Must-Read Short Story Collections by People of Color
And from India to New York to Phnom Penh, dead girls both real and fantastic appear again and again: as obsession, as threat, as national myth and collective nightmare. A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Crime is a motif—sex crimes, a possible murder, crimes of the heart. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late.
Amy Gustine exhibits an extraordinary generosity toward her characters, instilling them with a thriving, vivid presence.
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She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters straddle both worlds but belong to none. These stories shine a light on immigrant families navigating a new America, straddling cultures and continents, veering between dream and disappointment.
In this down and dirty debut she draws vivid portraits of bad people in worse places…A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.
Some readers noticed his nimble blending of humor with painful truths reminded them of George Saunders.
But with his new collection, Jodzio creates a class of his own. Here they enter the worlds of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers. With self-assurance and sensuality, April Ayers Lawson unravels the intertwining imperatives of intimacy—sex and love, violation and trust, spirituality and desire—eyeing, unblinkingly, what happens when we succumb to temptation.
Le Guin has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty—and the hidden strengths—of human beings.
- Dance For The Devil.
- Must-Read Short Story Collections by People of Color.
- Begegnung in der Disco...und die Nacht zu dritt (German Edition).
- Analyzing Inequality: Life Chances and Social Mobility in Comparative Perspective (Studies in Social Inequality).
From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed. The award-winning narratives in this mesmerizing debut trace the lives of ex-pats, artists, and outsiders as they seek to find their place in the world. Straddling the border between civilization and the wild, they all struggle to make sense of their loneliness and longings in the stark and often isolating enclaves they call home—golden fields and white-veiled woods, dilapidated farmhouses and makeshift trailers, icy rivers and still lakes rouse the imagination, tether the heart, and inhabit the soul.
While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. Her characters are a strange ensemble—a feral child, a girl raised from the dead, a possible pedophile—who share in vulnerability and heartache, but maintain an unremitting will to survive.
Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct. In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground. Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields—and fields of victory—that exist in seemingly harmless spaces, in kitchens and living rooms and cars.
Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. Like George Saunders, Karen Russell, and David Mitchell, he pulls from a variety of genres with equal facility, employing the fantastic not to escape from reality but instead to interrogate it in provocative, unexpected ways. It is her miraculous gift to make these stories as real and unforgettable as our own.
In works that are as memorable, engrossing, and exciting as they are gorgeously crafted, Neugeboren delivers on his reputation as one of our pre-eminent American writers. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration.
Gordo, the old Cubano that watches over the graveyards and sleeping children of Brooklyn, stirs and lights another Malaguena.conteculsoerea.cf
The best short stories classic and modern
It introduces us to an arresting and unforgettable new voice. Spanning four decades and three prize-winning collections, these twenty-one vintage selected stories and thirteen scintillating new ones take us around the world, from Jerusalem to Central America, from tsarist Russia to London during the Blitz, from central Europe to Manhattan, and from the Maine coast to Godolphin, Massachusetts, a fictional suburb of Boston.
These charged locales, and the lives of the endlessly varied characters within them, are evoked with a tenderness and incisiveness found in only our most observant seers. It includes wonderful stories with topics that include love, loss, memory, death, politics, identity, race and sex. This is a book that you can easily dip in and out of, either taking one theme in its entirety love, for example or just reading a story by an author when you encounter her for the first or five hundredth time. I constantly find myself coming back to it. It is a deep treasure chest of writing by women and a stunning tribute to the art of the short story.
I love it and it looks very pretty on my bookshelf - always a plus! This is a marvellous selection of short stories selected by the novelist and short story writer Victoria Hislop. A genuine joy to read. Jun 09, Carol Hislop rated it liked it. I enjoyed some of them a lot more than others so I'm defaulting to 3 stars.
It's a good book to have on a Kindle. A Telephone Call - Dorothy Parker 4 3. Faithful Lovers - Margaret Drabble 4 6. Master - Angela Carter 5 7. The Bloody Chamber - Angela Carter 5 9. The Lover - Alice Walker 3 Rue de Lille - Mavis Gallant 3 Words - Carol Shields 3 Revenge -Anne Enright 4 The Choirmaster - Elspeth Davie 1. View 1 comment. I am not sure about this collection All of the stories do not , to me, either make me cry weep or laugh.
What they do is make me bloody angry some of them and this a rare few are not too bad which in itself I guess makes it worse it essentially shows love to be either torrid awful I am not sure about this collection What they do is make me bloody angry some of them and this a rare few are not too bad which in itself I guess makes it worse it essentially shows love to be either torrid awful or even greedy or hateful none of them show the slow burning love or the tenderness of love or the tragic love So for the love of god Victoria Hislop change the title maybe to women who most like write bitter twisted hateful and shitty love stories.
Jan 29, Othniel rated it really liked it. A century-spanning collection of evocative short stories by women. Alternately moving and amusing, and never less than illuminating, but the focus on writers from Britain and North America render it valuable rather than than essential. Given its size, it's the kind of book the Kindle was invented for. Nov 26, Leila rated it really liked it. Ok, and a book I tended to pick up and read a story at a time.
I am not over keen on short stories normally but the books makes for easy reading so useful when time is limited for whatever reason. As with any collection with so many different authors contributing to it, there were some stories I really liked, and others that I had to force myself to get through.
There are stories in here which, in isolation, deserve five stars. Words, by Carold Shields was brilliant. There were others which, though not quite as captivating were still interesting reads. I just struggled to enjoy the collection as a whole, because between the great stories there were some I could have done without reading. There is a certain tone that a lot of the kind of stories that know they'll be read as 'Literature' adopt, and I find it extremely depressing.
I can only tolerate that deliberately weighty tone for so long.
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Of the stories in the books, most of the ones I've highlighted as favourites were the ones that took themselves the least seriously and, consequently, were more engaging, more poetic and just generally easier to spend time on. The ones I've enjoyed that did display this kind of literaryness were forgiven because the thinking behind them made the depressing prose worth it.
This doesn't mean I don'd like dark or depressing stories I have lived many a miserable piece of work , I just can't take much of the sort of cold dissecting tone some Literature adopts the kind of thing favourable reviews might call 'well-observed', and often feels clinical and cynical to me.